
Palden Lhamo (Sri Devi)
In Vajrayāna Buddhism, Palden Lhamo (Sri Devi) is the main female Dharma protector (Dharmapāla). Among the Eight Great Protectors of the Buddhist teachings, she holds an important position and is particularly linked to the protection of Tibet's institutional Buddhism, monasteries, and tantric lineages. As the state protector of Tibet and the guardian deity of the Dalai Lamas in the Gelug tradition, Palden Lhamo is highly esteemed in all Tibetan Buddhist schools.
Palden Lhamo has its roots in Indian Buddhist tantra, in which late Vajrayāna ceremonial systems incorporate the appearance of furious female guardian deity. During the early and later stages of Buddhist propagation, her belief system was brought from India to Tibet during the eighth and eleventh centuries. Srī Devī became one of the most significant female guardians in the Tibetan pantheon after being fully integrated as Palden Lhamo in Tibetan Buddhism.
Śrī Devī as an Umbrella Term
Instead of being a singular, stable iconographic form, Srī Devī serves as an umbrella term. A wide range of related wrathful protector manifestations with a common enlightened identity and purpose are referred to by the name Śrī Devī. While other named forms—such as Magzor Gyalmo, Dudsolma, Rangjung Gyalmo, Dorje Rabtenma, and Ochen Barma—represent specialised manifestations documented in lineage-specific ritual scriptures, Palden Lhamo is the principal Tibetan embodiment of this identity.
Within this theoretical framework, rather than being a collection of disparate deities, Śrī Devī should be viewed as a category of enlightened female defenders bound together by role and identity. This structural view reflects the Vajrayāna emphasis on functional manifestation within a single enlightened continuum and sets Buddhist guardian traditions apart from systems where goddesses operate as independent and distinct characters.
Forms of Palden Lhamo

1. Dudsolma
Dudsolma is a wrathful manifestation of Śrī Devī (Palden Lhamo). She is shown sitting on the skin of a corpse, riding a mule, wearing an elephant's hide, and having one face and four arms. She carries a sword, skull cup, spear, and trident in the Sakya tradition and a sword, skull cup, ceremonial peg (kīla), and trident in the Kagyu lineage.

4. Dorje Rabtenma
Dorje Rabtenma is depicted in maroon or black, with a single face and three eyes. Her golden hair rises upward, and her look is furious with bared fangs. She has a jewel-spitting mongoose in her left hand and a blazing sword in her right.

2. Magzor Gyalmo
Magzor Gyalmo is a fierce form of Saraswati and a manifestation of Palden Lhamo. She is shown riding a mule across a sea of blood and is blue-black in colour, with one face, and two arms holding a skull cup and a vajra stick.. Her iconography includes bared fangs, three red eyes, garland of severed heads, and ornaments of snakes and tiger skin.

5. Pal Lhamo
Pal Lham appears in some Tibetan Buddhist sources in a peaceful or semi-wrathful form of Dudsolma associated with Indic Śrī–Lakṣmī. She is depicted as being white, with two hands, holding a bowl full of gems and an arrow.

3. Rangjung Gyalmo
Rangjung Gyalmo, which is mostly retained in the Nyingma tradition of Tibetan Buddhism, is a furious manifestation of Palden Lhamo. She is portrayed as a black woman riding a mule with four arms and one face. Her depiction includes a mirror, snake, trident, and dagger held in her four hands.

6. Ochen Barma
Ochen Barma is shown as a furious black figure with two arms and one face. Her yellow hair is blazing upward, and she has a bag of illness in her lowered left hand and a staff with a butcher's stick in her upper hand. She is depicted standing atop two dark figures.
References and Sources:
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Indian Esoteric Buddhism: A Social History of the Tantric Movement by Ronald M. Davidson
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General reference: Wikipedia
Note:
This content has been refined using proofreading tools for clarity and structure and the images were manually created using AI-assisted tools. It is not a generated product but a digitally manipulated interpretation. While it is not traditional artwork, the final version is an original creative work. Manidvipa holds full rights to this, and any use beyond the website is prohibited without permission.
Note:
These images were manually created using AI-assisted tools. These are not generated products but a digitally refined interpretation based on available iconographic references. While it is not traditional artwork, it is an original creative work. Manidvipa holds full rights to this image, and any use beyond the website is prohibited without permission.
